Samplitude 2026

Oleksa Lozowchuk

Musikdirektor, Komponist und Produzent

Referenzen

Damian Taylor (The Prodigy, Evanescence, Björk) | FIFA 20 VOLTA (EA), Dead Rising 2, 3 & 4 (Capcom Vancouver) | Ehemaliger Musikdirektor bei Capcom Vancouver | Musik für Netflix, Apple, Disney, Microsoft, McDonald's

"I’ve been using Samplitude and Sequoia for almost 20 years now. I can’t imagine working without them. They allow me to achieve flow more quickly than any other DAW. I really couldn’t function at this level without Comparisonics viewing, object-based editing, and its in-line spectral editing and solid cross-fade workflow. It helps bring my ideas to life."

Garry King

Schlagzeuger, Drum-Recording-Engineer und Produzent

Referenzen

Jeff Beck, Joe Lynn Turner (Deep Purple), Tom Bee (Sound of America Records), Rick Hale | Music for TV and Film

"I’ve really only touched the tip of the iceberg of what the program can do, but I just love everything about it. Samplitude is like a box of non-stop surprises. It’s so simple, yet it has everything you can dream of and looks great on screen. The restoration side of Samplitude is just crazy, so easy to clean up clicks and pops, hums, and noise. It’s a very speedy, economic way of doing things."

Brisk Fingaz

Produzent

Referenzen

Kool Savas, Fler, Samy Deluxe, Kollegah, Farid Bang, Eko Fresh, Haftbefehl

"The difference between Samplitude and other DAWs is that you can work with waves better and more quickly. My workflow includes a lot of work with waves: setting the drums, cutting samples into the project, setting pitches, time stretching, cross-fading, and integrating VSTs. It’s all super quick and easy with Samplitude. The mixer in Samplitude is so awesome that you don’t even need an external mixer, especially with all the plugins that are available today."

Rick Hale

Komponist und Produzent

Referenzen

Latin GRAMMY-Nominierung | Micky Cruz, Garry King, Jimmy Shendo

"I love Samplitude! It is the most comprehensive DAW I have used to date. Not only is it well laid out with many powerful features, but it also has outstanding sound quality! The EQs, Compressors, and plugins all have a very rich and almost analogue nature. The bundled soft-synths and quality sounds are vast and diverse, yet simple to add in and use. Samplitude is loaded with goodies. I highly recommend it to anyone who is serious about the quality of their production and music."

OZD

Komponist, Produzent, Arrangeur, Mixing-/Mastering-Ingenieur und Musiker

Referenzen

Tulia, Formacja Niezywych Schabuff, Feel, Kasia Popowska, Agnieszka Adamczewska, The Underground Man | Rodzinka PL (TV-Show)

"I almost do everything from drafting a composition and recording through MIDI to sound design and the final mixing to the mastering process. I've trusted Samplitude as my main tool for almost 18 years. It has an object-oriented engine, great onboard plugins and meters, classic intuitive GUI design ready to be customized, and mastering tools — all in one. I love this DAW."

Joey Stuckey

Komponist, Produzent, Singer/Songwriter, Toningenieur, Gitarrist und Professor für Musiktechnologie an der Mercer University

Referenzen

I am proud to use Samplitude, SOUND FORGE, and VEGAS Pro on my music and video productions. The quality of Samplitude is truly remarkable. Its power and flexibility are without compare and most importantly, it sounds great! I also want to thank the team for working to make their products accessible to blind music professionals."

Siegfried Meier

Produzent, Aufnahme-/Mixing-/Mastering-Ingenieur und Songwriter

Kittie, Baptized in Blood, Woods of Ypres

"The object editor and the ability to burn directly from the application are huge. Also, the way Samplitude handles ISRC codes and other CD text is very important to my workflow. The overall vibe of editing is also fantastic. The application has just always been super snappy and responsive.”

As a user for over 20 years now, I've really watched the program grow. Seeing others copy features that were in Samplitude decades ago, makes me giggle. No other DAW lets me work as fast as Samplitude. The sound of the program is second to none."

Jean-Philippe Rykiel

Virtuoser Keyboarder, Komponist, Sounddesigner und Arrangeur

Referenzen

Leonard Cohen, Salif Keita, Youssou N'Dour, Amadou & Mariam

"I chose Samplitude because some of my friends were using it, even in the classical music domain. They raved about its sound quality. Some others, in the more pop domain, were also crazy about what Samplitude could do, particularly its concept of objects, which was a new and very interesting way of working with sound."

Mike Woloszyn

Sounddesigner, Komponist und Toningenieur

Referenzen

BMW, DTM, Nike

"I am a post-production specialist and sound designer based in Berlin. A balance between speed and quality is essential in my field. It continues to impress me that Samplitude and Sequoia require so few resources to work on highly complex sound design. I love the way the object editor offers me a complete channel strip for every single audio snippet. Samplitude has completely revolutionized object-based work.The latest versions of Samplitude and Sequoia have added many new practical features that make my work even faster, clearer, and more user-friendly. A life without Samplitude/Sequoia is possible, but wouldn't make any sense."

Juan "Punchy" Gonzalez

Produzent, Mixing, Mastering, Live-Engineer, Videoproduzent und Leadsänger/Gitarrist bei Cosmic Punch

Referenzen

Samplitude is my mainstay for doing professional mastering work and is my go-to software for nearly two decades. It is hands-down the best tool for the job, from the ability to visualize your audio to delivery."

Michael Mulholland

Sänger, Songwriter, Musiker und Filmkomponist

Referenzen

The Fighter, The Dilemma, Veronica Mars | Guitar Hero II (Activision)

"I'm new to Samplitude and in my short time working with it and going through the learning curves, I’m finding it to be incredibly amazing. Every option, every need, every plugin, every VST and VSTi, etc., is there. I’m recording live drums, live amped guitars, and mic’d piano. Its MIDI abilities are outstanding and simple to use. There are so many options when preparing for a new production. There are plenty of templates to choose from, and starting a new session without templates is as simple as it gets. Samplitude is humongous. It’s the giant of DAWs."

Dennis Fuchs / NACHOBENmedia

Produzent, Komponist, Videomacher, Fotograf

Referenzen

Prinz Pi, Animus, Rap City Berlin II DVD, 1. FSV Mainz 05, Freizeit-Land Geiselwind

"When I started making music in 2000, I used to produce beats for rappers (or my own) and sometimes rock songs. In 2016, I shot a no-budget mountain tour documentary and came to Samplitude for the soundtrack production. Nowadays, with my orchestral productions, I’m always amazed at how fast and uncomplicated I can design my workflow when composing using internal and external plugins, and during the later mixing process with Stems. The overview of the DAW in the arrangement and the analysis tools is very pleasant."